Human in the City
In this series, the city is not a backdrop but a living space that responds to a person — dissolving them, repeating them, reflecting them. The figures here do not simply walk through the streets: they seem to float in translucent air, fading in the morning light or thickening in the shadow of evening.
The city in these works is voiceless yet attentive. It observes, multiplies silhouettes, catches movements, creates its own echoes. A human within it is both a participant and a ghost — a presence that easily gets lost in the flow of countless similar steps.
This series is about the silence in which we live among people.
About the moments when we feel visible — and at the same time almost dissolved.
Morning in the Dissolving City
In this work, the city appears as a shifting, translucent space where human presence feels both close and distant. The figures seem to hover in the dim morning light, dissolving into the cool, blurred architecture around them. The boundaries between themselves and the urban environment are blurred: people move through a corridor of silence, memory, and foreboding. This is a moment when the city softens—revealing the vulnerability, fragility, and quiet tension of being with others while remaining deeply alone.
Acrylic on canvas
90x90cm
2025
Night Passers-by
The lilac night sky and the turquoise moon create a cold, almost detached atmosphere in which human presence seems fragile and temporary.
The figures of people are marked only by silhouettes — without individual features, as if they dissolve in the urban environment. They do not interact with each other, but only pass by, maintaining an internal distance. The cold color scheme enhances the feeling of loneliness and internal isolation inherent in a big city.
This work is about a person among others, but alone with himself; about movement without meeting, about presence without contact.
Acrylic on canvas
90×60cm
2025
Neon Solitude
The final piece (so far) from the 'Human in the City' series. An urban night scene where warm glowing windows contrast with the cold isolation of the street. Anonymous figures pass by each other like phantoms, highlighting emotional distance in a crowded world. Exploring the paradox of modern solitude amid the city's neon embrace
Acrylic on canvas
90x90cm
2026
The evening that makes us repetitive
This painting captures the weight of evening, a time when the city returns our own reflections to us. Warm, rusty-gold facades and deep bluish shadows create an almost cinematic atmosphere where the figures move forward but seem stuck in the loop of everyday life. Their repetitiveness hints at the routine, memory, and quiet emotions that accompany every urban step. The work explores how the city absorbs our presence, reflecting our movements, fears, and resilience—turning every street into a stage where we relive parts of ourselves over and over again.
Acrylic on canvas
90×60cm
2025
Suspended in the City
The series “Human in the City” has always been about how a person gets lost in the urban environment, where their presence gradually dissolves, becoming merely a shadow or a symbol. This work is the culmination of that theme — a transition into pure abstraction.
A small balloon on a thin thread hangs in the cold, indifferent space of the city. It is the last illusion of connection that still holds on, but already has no support. Blue light falls from above, like an artificial streetlamp or the moon, illuminating the emptiness but providing no warmth. It makes visible the loneliness, the distance, the rupture — all that remains of a person who once stood at the center of the crowd.
There is no figure here — only its symbol, balancing over the abyss of the cold city.
Acrylic on canvas
70×70cm
2026